12 Egyptian Hieroglyphs of People and Their Body Parts

In the second of a series of three articles, you will learn about some of the most common and unusual Egyptian hieroglyphs showing human beings and parts of their body.

Jan 14, 2020By Nicole B. Hansen, PhD & MA in Egyptology, BA Egyptology
egyptian-hieroglyphs-people-body-parts
Hieroglyph of man with hand to mouth and human face in raised relief

 

This is the second article in a series of three that will teach you about the translation of some hieroglyphs, their meanings in the Egyptian written language, and some fun and interesting facts about the things they depict. This article will deal with people and their body parts, other articles in this series discuss animals and objects.

The ancient Egyptian hieroglyphic writing system first appeared over 5000 years ago. The signs quickly became standardized and artists carved them on tomb and temple walls in forms that changed little for more than 3000 years. Hieroglyphic forms, in turn, influenced other forms of art.

Statues, figurines, and two-dimensional scenes of various activities have a similar appearance to the hieroglyphic signs from which they are derived. In this article, I review some of the more interesting hieroglyphic signs of people and human body parts.

 

1. Woman giving birth

Hieroglyph of woman giving birth, blackened by women touching it with their fingers in hope it will help them get pregnant
Hieroglyph of woman giving birth, blackened by women touching it with their fingers in hope it will help them get pregnant

 

Unlike the contemporary western practice of delivery on the back, a woman gave birth in ancient Egypt sitting or squatting on bricks, or kneeling. This sign depicts a woman delivering her baby in this way, with the arms and head of the baby poking out from underneath. It is used to write the word “to give birth” and related terms.

 

2. Bound prisoner

Bound prisoner figurine
Bound prisoner figurine

 

This is a sign depicting a foreign enemy in the most common posture, kneeling with his hands behind his back. The feather and beard are particularly foreign features. This is also the form that “voodoo” figurines that Egyptians made to harm their enemies. Originally only the king engaged in this practice, but it eventually spread to the general population. This magical practice did not die out with the coming of Christianity or Islam to Egypt, but has continued until today.

Get the latest articles delivered to your inbox

Sign up to our Free Weekly Newsletter

 

3. Child

Figurine of Horus the child
Figurine of Horus the child

 

Like teething children everywhere, ancient Egyptian children sucked or chewed on their fingers. Thus, Egyptians wrote words related to children with a figure of a child with his index finger in his mouth. The god Horus often appeared in this form. He sported a single lock of hair on one side of his head, a common hairstyle for children in ancient Egypt.

 

4. Man with Hand to Mouth

Hieroglyph of man with hand to mouth
Hieroglyph of man with hand to mouth

 

When the scribes needed to write a word that involved activities of the mouth, they used this sign. This included words for eating, drinking and speaking. They used it for more abstract concepts like advice and even love. The squatting posture distinguishes it from the child glyph.

 

5. Man with Stick

Corporal punishment
Corporal punishment

 

The ancient Egyptians used to say, “A boy’s ear is on his back, he listens when it is beaten.” Corporal punishment was standard practice in schools. Egyptians used the stick as a tool in many situations. Supervisors kept their workers in line, police interrogated criminals, and soldiers extracted information from enemy spies with sticks. The sign was used to write related words like “strike”, “strong”, “take away”, “plunder” and even “teach”.

 

Beating Hittite spies
Beating Hittite spies

 

6. Face hieroglyph

Hieroglyph of human face in raised relief
Hieroglyph of human face in raised relief

 

If you are an aficionado of ancient Egyptian art, this glyph may appear a bit odd to you. One of the most characteristic aspects of two-dimensional Egyptian art is that human faces were always depicted in profile, save for the eye. The only common exception to this is the hieroglyph depicting the human face, which shows a human face in full frontal view. However, the ears themselves appear in profile view and the figure generally features an oversized beard.

 

7. Phallus

Two penis hieroglyphs
Two phalus hieroglyphs

 

Can’t see the hieroglyph above? The Egyptians did not show any prudishness when it came to depicting human private parts, but some companies like Microsoft and Google do. Of all the hieroglyphs available, the ones showing the human phallus are censored out in some standard fonts, so you may only see a box where the glyph should appear.

The Egyptians wrote the word for husband using a penis and it also appeared in the phrase “in front of (someone).” Hardly X-rated concepts. Maybe we should start a petition to all the tech companies to stop this censorship!

 

8. Hathor headed figure

Statue of Hathor
Statue of Hathor

 

Some hieroglyphs were anthropomorphic, meaning they had human bodies with animal heads. One such hieroglyph was the glyph representing the goddess Hathor. This cow goddess was the goddess of love, motherhood and happiness. While some statues of her in pure cow form exist, she more frequently appears as a human female with cow horns and a sun disk on her head.

 

9. Seated God

The name of the god Amun-Re (the glyphs are written from right to left here)
The name of the god Amun-Re (the glyphs are written from right to left here)

 

When writing the names of gods, or even kings, Egyptian scribes would write this sign at the end of the word. This indicated that it was a god’s name and not that of an ordinary mortal person. When a text used the word “I” to refer to a god or king, it was also written with this sign. The glyph depicts the god with a long beard, which was also worn by kings.

 

10. Worshipping Figure

Coptic worshippers using same hand gesture as pharaohs.
Coptic worshippers using same hand gesture as pharaohs

 

When ancient Egyptians worshipped gods and goddesses, they would hold both palms open in front of them, sometimes kneeling. The hieroglyph shows one hand slightly in front of the other, but this was simply an artistic convention artists used to depict both hands in profile view. The two hands would have been side by side. Coptic Christian descendants of the ancient Egyptians still use this same hand gesture when worshipping God today.

 

11. Finger

(the image above shows the part that should be cropped in the white box. The green box shows the finger hieroglyphs) 1,333,330
The green box shows the finger hieroglyphs

 

The Egyptians used a base 10 number system like we do, but they did not have signs for each digit. Instead, they simply repeated the signs for 1, 10, 100, 1000, 10,000, 100,000 and 1 million as many times as necessary to spell out the number. The sign for ten thousand was a human finger. The finger sign also appeared in the word for “finger” and “precise.”

 

12. Seated Man of Rank

A funerary stela showing the deceased man seated surrounded by his standing family.
A funerary stela showing the deceased man seated surrounded by his standing family

 

When we attend an event or meeting led by an important person, normally that person stands while we all sit in chairs. In ancient Egypt, things worked the opposite way. Important people had the luxury of sitting in a chair, while those who were less important or served them stood. This is clearly illustrated by this hieroglyph, which shows a noble man seated. It was used to write words like “courtier” and “noble.”



Author Image

By Nicole B. HansenPhD & MA in Egyptology, BA EgyptologyNicole B. Hansen received her PhD and MA in Egyptology from the University of Chicago and her BA in Egyptology from UC Berkeley. She worked for the Giza Plateau Mapping Project at the Giza Pyramids and for the Theban Mapping Project’s Cairo office. She taught courses on Egyptian art, language and culture at the University of Chicago, the American University in Cairo and Amideast. She has a special interest in the continuity of ancient Egyptian culture until the present day, animals, medicine, magic and culinary history and lives in a village in Luxor a short distance from the archaeological sites.